HI,欢迎来到学术之家,发表咨询:400-888-7501  订阅咨询:400-888-7502  股权代码  102064
0

Comparative Aesthetics of Chinese and Western Visual Poetry Based on the Multimodal Theories

作者:XU; Ming; ZHANG; Qingvisualpoetrycomparativeaestheticsmultimodaltheoriesconstructivistexpressionist

摘要:Although the Chinese visual poetry and western visual poetry have a lot of differences,the similarity of visual poetry is the combination of poetry and painting.This research will apply the method of comparative analysis and multimodal theories,aiming to provide a new view to evaluate Chinese and western poetry,so as to promote the aesthetic experiences of Chinese and western culture for public.The research finds that Chinese and western poetry can be analyzed from the perspective of framework of visual-image analysis based on multimodal theories,which is composed of three major meanings:representation,interaction and composition.The comparative aesthetics based on the multimodal theories is of great significance to the appreciation and enjoyment of Chinese and western visual poetry.

注:因版权方要求,不能公开全文,如需全文,请咨询杂志社

艺术研究

《艺术研究》(CN:23-1529/J)是一本有较高学术价值的大型双月刊,自创刊以来,选题新奇而不失报道广度,服务大众而不失理论高度。颇受业界和广大读者的关注和好评。 《艺术研究》办刊宗旨为:坚持正确舆论导向,面向全国艺术类高校及艺术界人士,突出学术性,为艺术理论研究、艺术创作、艺术教学提供探讨平台。

杂志详情