作者：戚靖浩atonementianmcewanmetafiction
摘要：Atonement is one of Ian McEw an’s most popular novels, and one mark ed feature is that it has a metafictional coda which turns the novel into metafiction and overturns the ending of its two protagonists, Robbie and Cecilia. It has been the central concern for many critics that whether the coda is indispensable in this book and what are its functions. This paper argues that the coda is not indispensable in terms of storytelling and moral, but significant in terms of characterization and provoking thought.
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